Ginger Street Studio
St Paul, MN
2023 Booth #88
My work is created with acrylic paint, metal leaf, and oil paints on cradled wood panel.
© Greta Sandquist
Jennifer Abrahamson
Waconia, MN
http://www.jenniferspaintings.com/
2023 Booth # 10
The expressive style of painting allows for me to be my authentic self. I feel. I move. I paint. Shapes are left fragmented and undone. Collections of lines & shadows & shapes form as layers of acrylic build.
© Jennifer Patnaude
Dan Mondloch
Dan Mondloch Watercolors LLC
St Cloud, MN
2017 booth # 77
Original landscapes, Plein Air and Studio Paintings in Watercolor, Acrylic, and Oil.
© Dan Mondloch
Melvin McGee
Green Bay, WI
2022 Booth #109
I use a layering technique that allows me to build up the oil paints for contrast and bright colors.
© Melvin McGee
John Maurer
St Petersburg, FL
2018 booth #73
I travel and paint using oil and acrylic paints on canvas and wood. I paint on site as well as from photos, sketches and memory using palette knives, brushes and towels.
© John Maurer
Olga Krasovska
Granite Falls, MN
2023 Booth #28
Multilayered Mixed Media Acrylic Painting. Exploring the relationship between subtle and coarse textures, color and reflective metallic surfaces. Please zoom in..
© Olga Krasovska
Denise Koch
Bayfield, WI
2019 Booth # 23
Framed, Original watercolor paintings. No reproductions.
Allison Johanson
St Paul, MN
2017 booth # 51
Allison’s abstract paintings are inspired by nostalgia for her youth, growing up near the north shore of Lake Superior. Her work makes subtle references to the rural landscapes and experiences of living surrounded by woods, fields, river banks, and the vastness of “The Big Lake.”
Allison’s process involves lots of layering and expressive brushwork. Her pieces contain few forms, encouraging the viewer to experience the proportions, colors, and visual texture with a sense of discovery and personal meaning.
© Allison Johanson
Judy Hagstrom
Judy Hagstrom Art & Design
St Paul, MN
2017 booth # 117
Winsor Newton watercolor paints or Designer Gouache on 300lb. Strathmore cold press paper. Paint applied by layering, washing, stippling and scrubbing with round and flat brushes.
© Judy Hagstrom
Katharine Gotham
St Paul, MN
2019 Booth # 8
A few words about me-
After having been a ceramic artist for twenty years, I began studying painting five years ago. I've put in many, many hours in to develop my painting style and quality and am once again ready to exhibit work. My original oil paintings consist of still lifes, portraits and landscapes all done on rigid canvas panels. One of the most important aspects of my work is my devotion to working strictly from life. I get energy and inspiration from painting directly from my subject--whether it be a sugary cake warmed by my lighting, a dramatic sky over a bare field in spring, or a sleepy-eyed model. I also take care in framing my paintings to create a finished work of art that clients can immediately hang and enjoy in their homes.
A few words about my work-
The guiding principle in all my paintings and drawings is to work directly from life. Whether it's a bunch of radishes in the studio, or a rushing creek in the woods--having an unfiltered connection to my subject is my first priority. I love the challenge of standing in front of any subject and expressing it with the simple and timeless materials of brushes and oil paints.
© Katharine Gotham
© Katharine Gotham
Todd Clercx
Stacy, MN
2017 booth # 59
I paint people and landscapes that capture a moment and record a story in time. I paint oil & litho ink on canvas in my barn studio and also "en plein air". I am interested in how light and shadows play off of objects, social realism, everyday life. A lot of my work focuses on privilege and its effect on social conditions. I often paint impassto with loose brushstrokes and chunks of color. I try not to overpaint.
© Todd Clercx
John Booth
© John Booth
Gregory Arth
Colleyville, TX
2017 booth # 2 & 3
I use oil and acrylic, collage and occasionally gold or silver leaf on canvas and faux fresco panels on wood with hand made framing
© Gregory Arth
Evan Abrahamson
Waconia, MN
2023 Booth #11
I begin every painting in a naturalistic manner, painstakingly depicting as much detail as the hand and eye permit. After considerable care and control is given to grasp a clear image, I then introduce the element of chance into the work by mechanically and unsentimentally passing over the painting with a massive brush, what could be likened to the technique of sfumato. The consequence is that of revealing the fragility of things while erasing everything but what is important.
© Evan Abrahamson