Sherrie Stockton

Minneapolis, MN

www.whimsywelding.com

2020 Booth

My motto is Re-use and Amuse! I create whimsical characters out of scrap metal, found objects, old tools, and kitchenware using the oxyacetylene method of welding at the Chicago Avenue Fire Arts Center in Minneapolis. I enjoy hunting high and low to find “gems” at local scrap dealers, estate sales, friends’ castoffs, and truly found objects. My whimsical sculptures are friendly to the environment, unique, and generate smiles. I often laugh out loud while creating them. My goal is to share the fun and whimsy with others through my art.
In 2017 Butter Café of South Minneapolis commissioned a 4’x4’ butterfly sculpture. In 2016 I was interviewed by a local TV station www.fox9.com titled Artist Gives New Life To Scrap Metal. In 2014 and 2018 I won second place at the Minnesota State Fair Creative Activities Competition – Metal.

 

© Sherrie Stockton

© Sherrie Stockton

Cherie Haney

Metal Art By Cherie

Ann Arbor, MI

www.artandelement.com

2023 Booth # 16A/B

Intricately cut and roller formed aluminum Tig welded to create "abstract shape accumulations" that hover with dimension over a background of patinated copper, enameled steel using a sqraffito technique and also leather. The elements are all tied together with my hand fabricated Tig welded frames.

 

© Cherie Haney

Robert Giles

Graham Metal Art

Hardy, AR

© Robert Giles

© Robert Giles

2017 booth # 32B

Vibrant colors and whimiscal shapes are combined to create our work. Each piece is hand crafted. Drawn out onto sheet metal, hand cut with a plasma, shaped, welded, hand painted with enamels, and clear coated. Our designs can be displayed indoors or outdoors.

 

 

James & Sharra Cook

Hesperia, MI

www.coppertimesprinklers.com

2023 Booth #JC

Our pieces are all designed from copper. Soft and rigid copper tubing is hand shaped to create stationary and orbital (spinning) sprinklers. Various pieces of copper, along with brass fittings are soldered together and holes are drilled to create different water patterns. Stainless steel balls, copper spirals, or hand cut copper figures are added to create a unique piece of functional art. We also create kinetic wind sculptures using the same processes as used above. These pieces are powered by wind rather than water.



© James Cook

Annette Wilson

Artful Romp Studio

Maplewood, MN

https://www.artfulrompstudio.com

2018 booth #120A

Hand Made Sterling Silver Jewelry, primarily necklaces & earrings. Many pieces have stones, some have other interesting materials such as photos, buttons, copper, shells, etc. Techniques: soldering, texturing (hammer or rolling mill), hand sawing & forming, press forming & cutting.

 

© Annette Wilson

© Annette Wilson

Lisa Williams

Crystal Lake, IL

lisawilliamsjewelry.com

© Lisa Williams

2023 Booth #133

Williamsworking1.JPG

My work encompasses all aspects of jewelry making. Each piece is a unique hand fabricated design from silver flat sheet and wire with emphasis on comfort of wearability and elegance. To manipulate the metal, I employ an array of techniques, including hammering, hollowware, rollprinting, marriage of metals, etching, and tool fabrication. My designs boast an urban flair characterized by delicate and intricate textures.

I derive my inspiration for textures, shapes, lines and patterns from simple details that surround us everyday and everywhere. My studio is filled with natural elements I have collected over the years.
Among my greatest sources of inspiration is a box of “ metal things,” including scrap, as well as my
own experimental designs, in various stages, which
I save and use to spark imagination and evolution. 

I earned a BFA in Design with an emphasis in
metalsmithing from the University of Kansas.  I also
studied jewelry design and adornment at Elmhurst
Art Museum.  I have been doing various art shows
around Illinois for the past 18 years.

Williamsworking.JPG



Cindy Mae Swee

Dakota Mae Design

Minneapolis, MN

2021 Booth #21

I make and combine materials that are colorful, harmonious and balanced, then create interest with dynamic shapes, sizes, and surfaces.

My love of gemstones began during my childhood while hunting for agates and thomsonites on the north shore of Lake Superior. In the 1970’s I became hooked on glass as well, and started collecting vintage and unusual materials while traveling the U.S.A., Europe, the Far East and Africa.

Eventually I wanted what I did not find, and started making my own lampwork beads, enhancing them with 22K gold and fine silver leaf, silver reduction frit, dichroic glass and encasing. I find this layering of visual elements and colors, and making shapes to be very seductive.

I combine my art glass creations with quality gemstones, hammered, torched and stamped sterling silver, copper and brass, 14K gold and a variety of unique treasures.

I am finished with a piece when the design is beautiful in addition to being wearable, and interesting.

 

© Cindy Mae Swee

© Cindy Mae Swee

Laura Stamper

New Hope, MN

www.laurastamper.com

2017 booth # 36

Laura's art background is painting. When she approaches a new piece, she thinks in terms of color, design and negative space. “I have been influenced by the greats from Da Vinci to Dali. The theme of my art is rooted in story with an emphasis on nature and the female form.” Each figure is carefully hand crafted one at a time.

The entire process for each piece consists of multiple steps, including miniature porcelain sculptures and enameling. When all the miniatures are finished, Laura combines them with gem stones and sets them in precious metals (sterling silver, 18 k, 22 k, and 24 k gold). Laura's unique style and craftsmanship make these collectable pieces heirlooms of the future.

Laura's work is sold through select galleries and juried art shows.

 

© Laura Stamper

© Laura Stamper

Joyce Slate

Mythos Jewelry

Sarasota, FL

www.mythosjewelry.com

2023 Booth #110

I create micro mosaics in the old world Italian technique developed by the Vatican in the 1500’s. I make glass threads, or filati, by melting enamel glass and shaping it while molten. I pull the glass into long thin threads and then cut them into pieces smaller than rice, to place within my setting, following a drawing.
I hand make the stucco adhesive, following the ancient formula. I pulverize travertine marble and mix it with a combination of linseed oil, and allow it to harden for months.



 

© Joyce Slate

Carmel Schramm

Simply Living Jewelry

Rhinelander, WI

SimplyLivingJewelry.com

2017 booth # 143

The Fine Art of Stone Jewelry - Natural stones lead our designs. Every step from design, fabrication, and finishing is done my me. I use fine silver, and tarnish- resistant sterling such as Argentium.The sheet and wire I forge, bend, or hammer into shapes is silver soldered to complete the finished pieces. I enjoy the challenge of traditional hand fabrication metal smith techniques to form each piece. Our textured surfaces are achieved by traditional and contemporary methods. I cut stones to reflect the optimum shape, color, texture by traditional lapidary methods.

 

© Carmel Schramm

© Carmel Schramm

Steven Lindholm

SPL Designs

Menomonie, WI

www.spldesigns.com

2017 booth # 28

Along with some fabrication, I generally use the lost wax method to create a wax design.

I start the process either from a drawing of a design, or just carving in wax, to create the Product. I take the wax, set it up in a plaster like investment, then proceed burning out the wax and casting in silver or gold. Finishing the piece by setting precious and semi precious gemstones in Gold or Silver to create my rings, pendants, earrings and bracelets.

 

 

© Steven Lindholm

© Steven Lindholm